Tag Archives: JUSTIN THEROUX

Tea & Review: The Leftovers – The Book of Nora

The Leftovers has come to an end. Three years of experiencing the maddening doubt of inexplicable loss through the eyes of an eclectic ensemble of characters and it turns out we were watching a love story the entire time.

“The Book of Nora” is as elegantly simple and simply beautiful a series finale as one could ask for. It provides potential answers while refusing to confirm anything; it gives us one final, meaningful look at characters we’ve grown to love; and it is as emotionally charged as anything on television has ever been.

This final hour (and a bit) devotes its first third or so to picking up where Nora (Carrie Coon) and Matt’s (Christopher Eccleston) adventures left off and seeing Nora through to her final destination, so to speak. She and her brother say their goodbyes, she records her last will and testament, she makes the final decision to enter to magical radiation departure machine, and she takes the plunge.

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Tea & Review: The Leftovers – The Most Powerful Man in the World (and His Identical Twin Brother)

When The Leftovers premiered back in 2014, it was unclear if it was going to be a work of purely speculative fiction in which a mundane world experiences a single inexplicable event, or a magical realist series more on par with Damon Lindelof’s earlier creation, Lost. And though there were some surreal elements sprinkled throughout the first two seasons hinting at the latter, it wasn’t until “International Assassin” that it became clear the writers were intent on heading in a supremely supernatural direction.

Since that episode, the otherworldly elements have only grown in prominence, building a mythology that adds myriad layers to an already-thematically-rich world.

So it only makes sense that in “The Most Powerful Man in the World (and His Identical Twin Brother)”—which serves as both a sequel to that aforementioned episode as well as the penultimate installment of the series as a whole—we would return to the dreamlike afterlife that first marked the show’s swerve into the mystic.

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Tea & Review: The Leftovers – G’Day Melbourne

Kevin Garvey (Justin Theroux) and Nora Durst (Carrie Coon) have never made a whole lot of sense as a couple, which is why their pairing on The Leftovers made perfect sense. Apart from their shared rejection of any sort of divine explanation for the Sudden Departure, they were never established to have a whole lot in common. They were just two people who were able to find some release in each other with the understanding that they were both too damaged to really come back from whatever losses they had incurred in the past.

So when their relationship seems to fall apart in “G’Day Melbourne,” the dissolution is both heartbreaking and a completely natural result of everything that preceded it. Their paths became intertwined for a while, and now a variety of factors have seen fit to untangle them.

But before I get ahead of myself, let’s recall how we got here.

After the events of “Don’t Be Ridiculous,” Kevin and Nora head to Australia so that Nora can expose the people claiming to be able to induce departures for the frauds she believes they are. At least, this is what she has told Kevin. In fact, we don’t know if this is simply a lie she’s telling to hide the fact that she’s willing to risk death to be with her children again.

After an uneventful flight, the couple arrives in Melbourne and, after checking into their hotel, almost immediately go their separate ways. The remainder of the episode sees them embarking on parallel adventures which leave them both feeling more alone than ever.

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Tea & Review: The Leftovers – The Book of Kevin

“You’re home.”

These are the words that close out the second season of HBO’s The Leftovers, spoken by Nora Durst (Carrie Coon) to her partner Kevin Garvey (Justin Theroux) when he returns to his half-makeshift family after coming back from the dead in a town about to succumb to the chaos engendered by the Guilty Remnant.

Both seasons of The Leftovers thus far, but especially Season Two, have been at least partially about how great tragedies turn disparate groups of people into families, and how the idea of home hinges around those families.

Obviously, this isn’t a profoundly new idea; its novelty and beauty is in its context. The characters on this show exist in a world torn apart by inexplicable loss—loss that we in the real world may not be able to fathom—and have managed to find love and companionship despite this.

But is it sustainable?

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