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What I Had Hoped to Get from ‘Sherlock’

{All images courtesy BBC One.}

So, Sherlock series 4 has come and gone, and I’ve already expounded greatly (to the tune of over 4,000 words) how much “The Final Problem” was a horrible way to end the show, if indeed it is the last episode of the series. In said review, I wrote about my expectations for the show, and how that may have been a problem going in. It got me thinking of all the little things I had hoped to get out of series 4 (and even series 3 for some of these) and that I hope we get to, should the series ever make a comeback. Some are silly, and some are legitimate things I wished the show would explore.

As a fan of both Benedict Cumberbatch and Martin Freeman beyond Sherlock, I’ve had the opportunity to hear both of them sing (i.e., Cumberbatch sang in August Osage County, and Freeman in Saving Santa), and while they aren’t exactly Tony award winners (Freeman especially), they can at least carry a tune in a bucket. So, why haven’t we had a musical episode? If we have to maintain ‘realism’ (which, considering the James Bondness of series 4, I will have problems if THAT’S the only reason why), have it where Sherlock has to take the place of an actor in a stage musical. (Maybe even where we see that when Sherlock actually TRIES to act, he’s horrible at it? And dear God, the idea of what Martin would do if John had to be on stage as well: I keep thinking of that tag scene from “The Puppet Show” from Buffy the Vampire Slayer.)

In fact, I wish the show would’ve let both Freeman and Cumberbatch show off their comedic chops more often. Yes, the show is a drama and we should take it seriously, but all the best dramas are interspersed with comedy, and both Freeman and Cumberbatch have great comedic timing. Which leads into another silly one: we finally got a canon ‘The game’s afoot’ (one legitimate one in “The Abominable Bride”, and one of Sherlock quoting the source in “The Lying Detective”): couldn’t we have gotten John to say “No shit, Sherlock” even once?

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