Tag Archives: CARRIE COON

Tea & Review: The Leftovers – Don’t Be Ridiculous

Throughout The Leftovers, Nora Durst (Carrie Coon) has been portrayed as the central character most obviously affected by the Sudden Departure. While others have had more minor losses or been affected by the event in more indirect ways, Nora lost perhaps the most important people in her life: her husband and two children.

In fact, her loss was so profound that she has been contacted and harassed by researchers and conspiracy theorists who believe that people like her are focal points for whatever force caused two percent of the world’s population to disappear.

Early in Season One, Nora was hiring prostitutes to shoot her in the chest while she wore a bulletproof vest, clearly an odd coping mechanism that enabled her to feel the nebulous pain of loss in a more concrete way.

Later, after being hugged by Holy Wayne, she seemed to get over this fixation.

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Tea & Review: Fargo – The Law of Vacant Places

The first two seasons of Fargo, building off of the original 1996 film, meticulously established a set of recurring archetypes: the idealistic yet overwhelmed cop, the resentful loser with a dark side, the dangerous and philosophically minded outsider, and several more mythically mundane figures.

In Noah Hawley’s Coen-flavored stories, the characters embodying these archetypes have collided in unique and often shocking ways, either by destiny, happenstance, or the fact that they exist in a world governed by “truth” rather than reality. It’s even possible, If one takes the otherworldly elements of the series a bit too literally, to interpret each season’s ensemble as vessels for the same group of immortal souls, eternally trapped by their own shortcomings in some kind of cosmic tragicomedy.

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Tea & Review: The Leftovers – The Book of Kevin

“You’re home.”

These are the words that close out the second season of HBO’s The Leftovers, spoken by Nora Durst (Carrie Coon) to her partner Kevin Garvey (Justin Theroux) when he returns to his half-makeshift family after coming back from the dead in a town about to succumb to the chaos engendered by the Guilty Remnant.

Both seasons of The Leftovers thus far, but especially Season Two, have been at least partially about how great tragedies turn disparate groups of people into families, and how the idea of home hinges around those families.

Obviously, this isn’t a profoundly new idea; its novelty and beauty is in its context. The characters on this show exist in a world torn apart by inexplicable loss—loss that we in the real world may not be able to fathom—and have managed to find love and companionship despite this.

But is it sustainable?

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