The writers of Fargo have, over the course of nearly three full seasons, done an excellent job of crafting individual episodes which tell their own little stories while at the same time contributing to a larger narrative. This is a difficult thing to achieve in any serialized medium, but it is especially hard when you have a limited number of hours with which to work. Fargo doesn’t have the privilege of being able to stall or go on tangents, and yet it still manages to create little thematic pitstops on the way to each tenth episode.
In Season Three, it has been especially easy to pinpoint what each particular episode was about, or rather what each one did that set it apart from the rest. We had Gloria’s (Carrie Coon) solo trip to L.A., the Peter and the Wolf analogue, and an episode that delved heavily into Russian and Eastern European concepts. Other installments, meanwhile, have prioritized individual characters and relationships.
Tonight’s episode—“The Law of Inevitability”—is thus far the hardest to pin down. One could argue that it’s an episode that needs to pick up the pieces left after Ray’s murder last week, and so doesn’t have time to be about anything. And while I think that’s true to an extent, I also believe that same practicality affords it a theme that is in and of itself inevitable: transition.