Tea & Review: Sherlock’s ‘Problem’ is Aptly Named

{All images courtesy BBC One.}

Sherlock, series 4, episode 3, “The Final Problem”
Written by Mark Gatiss & Steven Moffat
(based on the works of Arthur Conan Doyle)
Directed by Benjamin Caron
Produced by BBC (in partnership with PBS Masterpiece)

So, in my last review of series 4 of Sherlock, I wrote that the television show was one of the rare pieces of media where I process my own thoughts through reading other reactions. This rings true so much more in this, what is framed as the last episode of the show. Not only the reviews from Indiewire, Vox, the Nerdist (which I apparently remembered the title from), The Guardian, The AV Club, The Mary Sue, and Just Add Color, but the plethora of responses from other fans as we all digested this last piece in the world of Sherlock. It made me reevaluate my place as a fan, and think about the show as a whole. Needless to say, this has major spoilers.

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Dreams That We Dare To Dream

Dreams That We Dare To Dream

By Rosie Gonce

Scott had wanted to go to the other bar that was downtown so he sat in the backseat sulking. He was being dragged along to go “drinking and find some girls,” which always lead to a night of a lot of drinking and getting rejected in subtle, polite ways by every single girl at the bar. He wasn’t in the mood to pretend that wasn’t going to happen. He had wanted to go to the bar downtown where there was a pool table and a jukebox with some of his favorite bands in it, U2 and Radiohead, in particular. Where the music wasn’t so loud that you couldn’t even think. He looked down at his baggy clothes, which he had barely tried to color-coordinate. Brown pants, plaid button-up, dark brown jacket, with one missing button. He used his fingers to brush his stringy, straw-colored hair back behind his ears. He was wishing he had gotten a haircut.

“Dude! Scott! Get that stick outta your ass! We’re not going to that shitty bar! All the chicks there are old and haggard!” Jerry yelled into the rearview mirror back at Scott, gripping the steering wheel tighter. Jerry had blond, curly hair that brushed the tops of his shoulders. He had a five o’clock shadow that made him look older than he was, and his clothes were slightly too tight on him, partially because he always struggled to find clothes that fit. He was built like a football player but was never interested in sports.

“Seriously, Scott!” Danny chimed in turning around from the front passenger seat to make sure Scott could see his annoyed look. “If we go to The Moon Room then we have a way higher probability of getting laid! Who cares if the music sucks! The chicks that go there are down to fuck!” Danny had gelled his hair special for tonight. His dark brown hair was always neatly buzzed on the sides and a little longer on the top to mold, what many referred to as a faux-hawk. He wore his usual “going-out gear,” which was a gray button up shirt with black slacks and shiny black shoes. His friends often teased him and said it looked like he was going for a job interview. “In a way, I am!” Danny would sometimes rebut.

“Yeah, they’re nasty girls,” Nathan said quietly as he sat next to Scott, looking out the window. Nathan was the smallest of the four friends and he often made it more noticeable with his body language. He slouched in his seat with his shoulders curved in and his face peeking out the window, like a curious animal. He had scruffy, light brown hair that he didn’t brush, that was just long enough the cover half his ears. He had a black hoodie on with some jeans and some all-black converse. This was dressing up for him.

Scott rolled his eyes and sighed loud enough so everyone could hear him. Jerry turned up a Green Day song and pushed on the gas more than was necessary. Danny lit a cigarette and started rolling down the window, catching Nathan’s attention who yelled over the music, “Danny, can I bum one of those?”

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Tea & Review: Murder in the Generative Kitchen

(Graphic Courtesy of World Weaver Press)

Murder in the Generative Kitchen

by: Meg Pontecorvo

Meg Pontecorvo’s Murder in the Generative Kitchen poses many relevant questions that in today’s society we seem to be scratching the surface of.

Technology is such a theme in itself. We, as a people, are constantly looking to improve and grow our technology. We keep trying to get technology to fill the gaps and the spaces in our lives that we feel are lacking.

A lot of what Pontecorvo does reminded me a lot of the show Black Mirror, but Pontecorvo is clever. She doesn’t make the central theme as obvious. She makes her readers work for it.

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Tea & Review: La La Land – For Love or Career

(Photo Courtesy of Lions Gate Publicity, Photo Credit: Dale Robinette) 

The opening scene of La La Land was exactly what I wanted to happen when I was in middle school.

I wanted my fellow students to jump on top of their desks and dance in an in sync, yet unrehearsed manner. And then, somehow magically, I too would develop the voice similar to that of The Little Mermaid. I would holler out of a showstopper.

It is truly a wonder that I was never in the drama club.

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Prepare for Takeoff: BBC Radio 4 Rebroadcasts ‘Cabin Pressure’

{All images used courtesy BBC Radio 4}

Note: all quotes come from Wikiquote.


The BBC Radio 4 sitcom, Cabin Pressure, is currently being rebroadcast from the beginning. But hurry up – the first episode of series 1 only has five more days.

If you’re unaware of this lovely piece of comedy writing, the basic story is of an airline company … well, make that an airplane. “I don’t have an airline. I have one jet. You cannot put one jet in a line. If MJN is anything, it is an air dot,” as the head of the company, Carolyn Knapp-Shappey (Stephanie Cole) states in the first episode, “Abu Dhabi”.

Having gotten the jet in a divorce, Carolyn sets out to run a private charter company. Accompanying her on this is her not-so-bright son Arthur (played by the show’s creator and writer John Finnemore). She has two pilots: “I have a good pilot and a safe pilot; and the safe pilot’s in charge of the good pilot,” as she says in “Ipswitch”. One of the pilots – the good one – is First Officer Douglas Richardson, played with smarmy fun by Roger Allam (V for Vendetta and the original Javert in the London Les Misérables). The safe pilot is Captain Martin Crieff, played with comedic incompetence by some actor named Benedict Cumberbatch (not sure if you’ve heard of him, or anything: it’s not like he’s been getting any roles lately).

While the show is primarily the four of them, there are the occasional guest stars, including later in the series a recurring spot for Anthony Head (known as Anthony Stewart Head here in the states) as a sometimes dater of Carolyn.

Photo from the last recording session.

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